Jigsaw

I.

I open the lid

and my breath speeds ragged,

seas stormed by discontent. So many

pieces – why so many pieces? – and

why so many shades of blue? No one needs

that much sky, I think as I start to sort.

 

Everyone knows you find the edge pieces first

and build in, first the skin and then the heart,

but I can’t find them all in the tangle

of chaos heaped discordant, their absence loud

in the landscape.

 

II.

The box boasts Italian villas, a Mediterranean

masterpiece of  idyllic days. It hurts, this beauty.  It

scorns the doctors, scorns those tired

eyes which peer over masks to discern who

of the twenty will benefit

most from the single ventilator that can be

spared tonight.

 

The bits of colour on my table

are lost in that steady rush of feet and again I wonder,

why so much sky? My hands tremble

and I lose hope – I cannot make this

make sense.

 

III.

Tears brim and wash images clean.

I blink. Is that

a pattern in the stones, a barely perceptible

shift from dark to light just there, in

the bottom left corner? Pieces find shelter in

limestone.  A new thought forms in

the shadows  –

perhaps this much sky is necessary to breathe

in a world full of rocks.

 

Perhaps my eyes are too small,

too human to see the bigger picture;

I step back and

close them in prayer

and my lungs are filled with blue. I breathe,

in and out, slow and big;  I hear

what the jigsaw has to say in the silence.

 

IV.

The construction of a life

is always messy; a chaos of constant

attention to details that

puzzle and elude. There will always be too many

pieces, and so much awful sky – but the blue

is meant to be inhaled deep in faith,

exhaled in mystical prayer over Italian villas

while eyes remain fixed on the box lid. I need to memorize

the villas in all their glory: they will be beautiful

again after the ventilators forget how to

hum.

 

V.

I am alone in the quiet. I search;

there, a smudge of the right kind of blue – bright,

not muted or mixed with gray or green. I smile

and set the piece into place,

a prayer in itself.  Now I can breathe;

I work steadily from the edge in,

first the skin and then the heart.

 

 

 

 

 

 

The Berry Bush

Stoic, she relinquishes her treasures.

Fingers swish, palms purple with the richness

of the gift. She whispers soft

but I am occupied; berries bounce in a plastic

pail to the rhythm of songbirds.

 

The old-timers say

that the harvest is only heavy every

seven years. This is the one in seven-

fat orbs dazzle the eye

and my pail overflows quick,

tongue stained and smug.

 

I strip the branches easiest to reach, careful to

pry into intimate places, seek

her secrets with greedy grasp. I slow. Here, not all are

perfectly ripe. My fingers must pull with

respect, leave the immature for a later picking.

 

The pails are piling purple. Content, I

step back, prepare to sail home

with cargo hold brimming. I stretch,

look up. More. And more, and more hang. I hear it

indistinct, this lesson. On tiptoe, the blessings are harder to

harvest, require more of my complacency.

 

Patience prickles. Fingers falter, accidental purple showers

to the earth. Joints creak, muscles strain,

and here is the true miracle,  saved for last. Fullness scrapes the dirt

plump and glad. The  equation comes

clear, and I laugh aloud with the unexpected joy of it –

 

for when do blessings not hang in clusters,

ripe and ready to pick? And how is great glory not

gained with a stretch of stained hands toward heaven?

Which good and surprising delights

were not made the sweeter by bowing of the head

and bending of the knee?

 

I hear her now.

Her syllables ring loud in the silence.

And I, who teach for a living,

am schooled by the berry bush.